Diabolic Esper: Difference between revisions

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== Trivia ==
== Trivia ==
*Unlike the other paths, Diabolic Esper is not focused with finding Eve as he did not need any materials or research data from her. Instead, it is implied that he never chased Wally or to Altera.
*Unlike the other paths, Diabolic Esper is not focused with finding Eve as he did not need any materials or research data from her. Instead, it is implied that he never chased Wally or to Altera.
*After advancing to '''Diabolic Esper''', Add's character selection screen quote changes once again reflecting his further descend into madness.
*After advancing to '''Diabolic Esper''', Add's character selection screen quote changes once again, reflecting his further descent into madness.
*The [[Diabolic Armor]] is part of his promo avatar's top piece.
*The [[Diabolic Armor]] is part of his promotional top piece.
*When going into Configuration Mode (Awakening), '''Add''''s sclera will turn black. They are, however, canonically depicted as being black permanently in all kinds of media, including the light novel and artworks.
*When going into Configuration Mode (Awakening), '''Add''''s sclera will turn black. They are, however, canonically depicted as being black permanently in all kinds of media, including the light novel and artworks.
**When equipped with [[Character Customization System/Face|custom eyes]], going into Configuration Mode (Awakening) will not change his sclera to black.
**When equipped with [[Character Customization System/Face|custom eyes]], going into Configuration Mode (Awakening) will not change his sclera to black.
*Following the release of '''Diabolic Esper''''s alternate art, this is the second time '''Add''' is depicted frowning in a portrait, the first being [[Media:8333DMt.jpg|Time Tracer's teaser]].
*After the release of '''Transcendence''', the artwork for this path onwards depicts him with sharp, shark-like teeth.
*After the release of '''Transcendence''', the artwork for this path onwards depicts him with sharp, shark-like teeth.
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